The results were varied. He found that at some point he began to use more of the drawing surface area rather than confining his marks to a localized portion of the paper. He had also experimented with looking away while drawing me. While I primarily focused on his head, neck, and shoulders, he tended to create full-body compositions. His images often overlapped and appear to be representing several viewpoints at once--a quality reminiscent of Matisse or Picasso.
My Drawings of My Friend


My Friend's Drawings of Me


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